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PinkMonkey.com Digital Library-The Picture of Dorian Gray by Oscar Wilde


104

is when separated from action and experiment. He knew that the
senses, no less than the soul, have their spiritual mysteries to
reveal.

And so he would now study perfumes, and the secrets of their
manufacture, distilling heavily-scented oils, and burning odorous
gums from the East. He saw that there was no mood of the mind
that had not its counterpart in the sensuous life, and set himself to
discover their true relations, wondering what there was in
frankincense that made one mystical, and in ambergris that stirred
one’s passions, and in violets that woke the memory of dead
romances, and in musk that troubled the brain, and in Champak
that stained the imagination; and seeking often to elaborate a real
psychology of perfumes, and to estimate the several influences of
sweet-smelling roots, and scented pollen-laden flowers, of aromatic
balms, and of dark and fragrant woods, of spikenard that sickens,
of hovenia that makes men mad, and of aloes that are said to be
able to expel melancholy from the soul.

At another time he devoted himself entirely to music, and in a long
latticed room, with a vermilion-and-gold ceiling and walls of olive-
green lacquer, he used to give curious concerts in which mad
gypsies tore wild music from little zithers, or grave yellow-
shawled Tunisians plucked at the strained strings of monstrous
lutes, while grinning Negroes beat monotonously upon copper
drums, and, crouching upon scarlet mats, slim turbaned Indians
blew through long pipes of reed or brass, and charmed, or feigned
to charm, great hooded snakes and horrible horned adders. The
harsh intervals and shrill discords of barbaric music stirred him at
times when Schubert’s grace, and Chopin’s beautiful sorrows, and
the mighty harmonies of Beethoven himself, fell unheeded on his
ear. He collected together from all parts of the world the strangest
instruments that could be found, either in the tombs of dead
nations or among the few savage tribes that have survived contact
with Western civilizations, and loved to touch and try them. He
had the mysterious juruparis of the Rio Negro Indians, that women
are not allowed to look at, and that even youths may not see till
they have been subjected to fasting and scourging, and the earthen
jars of the Peruvians that have the shrill cries of birds, and flutes of
human bones such as Alfonso de Ovalle heard in Chile, and the
sonorous green jaspers that are found near Cuzco and give forth a
note of singular sweetness. He had painted gourds filled with
pebbles that rattled when they were shaken; the long clarin of the
Mexicans, into which the performer does not blow, but through
which he inhales the air; the harsh ture of the Amazon tribes, that
is sounded by the sentinels who sit all day long in high trees, and
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