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891 ‘Oh, indeed!’ rejoined Nicholas. ‘That’s fame, sir,’ said the literary gentleman. ‘So Richard Turpin, Tom King, and Jerry Abershaw have handed down to fame the names of those on whom they committed their most impudent robberies?’ said Nicholas. ‘I don’t know anything about that, sir,’ answered the literary gentleman. ‘Shakespeare dramatised stories which had previously appeared in print, it is true,’ observed Nicholas. ‘Meaning Bill, sir?’ said the literary gentleman. ‘So he did. Bill was an adapter, certainly, so he was--and very well he adapted too--considering.’ ‘I was about to say,’ rejoined Nicholas, ‘that Shakespeare derived some of his plots from old tales and legends in general circulation; but it seems to me, that some of the gentlemen of your craft, at the present day, have shot very far beyond him--’ ‘You’re quite right, sir,’ interrupted the literary gentleman, leaning back in his chair and exercising his toothpick. ‘Human intellect, sir, has progressed since his time, is progressing, will progress.’ ‘Shot beyond him, I mean,’ resumed Nicholas, ‘in quite another respect, for, whereas he brought within the magic circle of his genius, traditions peculiarly adapted for his purpose, and turned familiar things into constellations which should enlighten the world for ages, you drag within the magic circle of your dulness, subjects not at all adapted to the purposes of the stage, and debase as he exalted. For instance, you take the uncompleted books of living authors, fresh from their hands, wet from the press, cut, hack, and carve them to the powers and capacities of your actors, |