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665 by any refreshing associations with leaves, however dingy, or grass, however bare and thin. The city square has no enclosure, save the lamp-post in the middle: and no grass, but the weeds which spring up round its base. It is a quiet, little-frequented, retired spot, favourable to melancholy and contemplation, and appointments of long-waiting; and up and down its every side the Appointed saunters idly by the hour together wakening the echoes with the monotonous sound of his footsteps on the smooth worn stones, and counting, first the windows, and then the very bricks of the tall silent houses that hem him round about. In winter-time, the snow will linger there, long after it has melted from the busy streets and highways. The summer’s sun holds it in some respect, and while he darts his cheerful rays sparingly into the square, keeps his fiery heat and glare for noisier and less-imposing precincts. It is so quiet, that you can almost hear the ticking of your own watch when you stop to cool in its refreshing atmosphere. There is a distant hum--of coaches, not of insects-- but no other sound disturbs the stillness of the square. The ticket porter leans idly against the post at the corner: comfortably warm, but not hot, although the day is broiling. His white apron flaps languidly in the air, his head gradually droops upon his breast, he takes very long winks with both eyes at once; even he is unable to withstand the soporific influence of the place, and is gradually falling asleep. But now, he starts into full wakefulness, recoils a step or two, and gazes out before him with eager wildness in his eye. Is it a job, or a boy at marbles? Does he see a ghost, or hear an organ? No; sight more unwonted still--there is a butterfly in the square--a real, live butterfly! astray from flowers and sweets, and fluttering among the iron heads of the dusty area railings. |