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454 about the young lady, and producing a case of pistols, said, that if he was a gentleman, he would fight him in that drawing-room, until the furniture was sprinkled with the blood of one, if not of two--how boxes, pit, and gallery, joined in one most vigorous cheer! When he called his mother names, because she wouldn’t give up the young lady’s property, and she relenting, caused him to relent likewise, and fall down on one knee and ask her blessing, how the ladies in the audience sobbed! When he was hid behind the curtain in the dark, and the wicked relation poked a sharp sword in every direction, save where his legs were plainly visible, what a thrill of anxious fear ran through the house! His air, his figure, his walk, his look, everything he said or did, was the subject of commendation. There was a round of applause every time he spoke. And when, at last, in the pump-and-tub scene, Mrs Grudden lighted the blue fire, and all the unemployed members of the company came in, and tumbled down in various directions-- not because that had anything to do with the plot, but in order to finish off with a tableau--the audience (who had by this time increased considerably) gave vent to such a shout of enthusiasm as had not been heard in those walls for many and many a day. In short, the success both of new piece and new actor was complete, and when Miss Snevellicci was called for at the end of the play, Nicholas led her on, and divided the applause. |