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417 oblong shape, sat a stout, portly female, apparently between forty and fifty, in a tarnished silk cloak, with her bonnet dangling by the strings in her hand, and her hair (of which she had a great quantity) braided in a large festoon over each temple. ‘Mr Johnson,’ said the manager (for Nicholas had given the name which Newman Noggs had bestowed upon him in his conversation with Mrs Kenwigs), ‘let me introduce Mrs Vincent Crummles.’ ‘I am glad to see you, sir,’ said Mrs Vincent Crummles, in a sepulchral voice. ‘I am very glad to see you, and still more happy to hail you as a promising member of our corps.’ The lady shook Nicholas by the hand as she addressed him in these terms; he saw it was a large one, but had not expected quite such an iron grip as that with which she honoured him. ‘And this,’ said the lady, crossing to Smike, as tragic actresses cross when they obey a stage direction, ‘and this is the other. You too, are welcome, sir.’ ‘He’ll do, I think, my dear?’ said the manager, taking a pinch of snuff. ‘He is admirable,’ replied the lady. ‘An acquisition indeed.’ As Mrs Vincent Crummles recrossed back to the table, there bounded on to the stage from some mysterious inlet, a little girl in a dirty white frock with tucks up to the knees, short trousers, sandaled shoes, white spencer, pink gauze bonnet, green veil and curl papers; who turned a pirouette, cut twice in the air, turned another pirouette, then, looking off at the opposite wing, shrieked, bounded forward to within six inches of the footlights, and fell into a beautiful attitude of terror, as a shabby gentleman in an old pair of buff slippers came in at one powerful slide, and chattering his |