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Act I - 08 Act II - 42 Act III - 118 Act IV - 167 Act V - 191 Eliza, in telling Higgins she would not marry him if he asked her, was not co- quetting: she was announcing a well-considered decision. When a bachelor inter- ests, and dominates, and teaches, and becomes important to a spinster, as Higgins with Eliza, she always, if she has character enough to be capable of it, considers very seriously indeed whether she will play for becoming that bachelor’s wife, es- pecially if he is so little interested in marriage that a determined and devoted woman might capture him if she set herself resolutely to do it. Her decision will depend a good deal on whether she is really free to choose; and that, again, will depend on her age and income. If she is at the end of her youth, and has no secu- rity for her livelihood, she will marry him because she must marry anybody who will provide for her. But at Eliza’s age a good-looking girl does not feel that pres- sure: she feels free to pick and choose. She is therefore guided by her instinct in the matter. Eliza’s instinct tells her not to marry Higgins. It does not tell her to give him up. It is not in the slightest doubt as to his remaining one of the strong- est personal interests in her life. It would be very sorely strained if there was an- other woman likely to supplant her with him. But as she feels sure of him on that last point, she has no doubt at all as to her course, and would not have any, even if the difference of twenty years in age, which seems so great to youth, did not exist between them. As our own instincts are not appealed to by her conclusion, let us see whether we cannot discover some reason in it. When Higgins excused his indifference to young women on the ground that they had an irresistible rival in his mother, he gave the clue to his inveterate old-bachelordom. The case is uncommon only to Act I - 08 Act II - 42 Act III - 118 Act IV - 167 Act V - 191 |