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Act I - 08 Act II - 42 Act III - 118 Act IV - 167 Act V - 191 four and sixpenny manual published by the Clarendon Press. The postcards which Mrs Higgins describes are such as I have received from Sweet. I would decipher a sound which a cockney would represent by zerr, and a Frenchman by seu, and then write demanding with some heat what on earth it meant. Sweet, with bound- less contempt for my stupidity, would reply that it not only meant but obviously was the word Result, as no other word containing that sound, and capable of mak- ing sense with the context, existed in any language spoken on earth. That less ex- pert mortals should require fuller indications was beyond Sweet’s patience. Therefore, though the whole point of his Current Shorthand is that it can express every sound in the language perfectly, vowels as well as consonants, and that your hand has to make no stroke except the easy and current ones with which you write m, n, and u, l, p, and q, scribbling them at whatever angle comes easiest to you, his unfortunate determination to make this remarkable and quite legible script serve also as a shorthand reduced it in his own practice to the most inscruta- ble of cryptograms. His true objective was the provision of a full, accurate, leg- ible script for our noble but ill-dressed language; but he was led past that by his contempt for the popular Pitman system of shorthand, which he called the Pitfall system. The triumph of Pitman was a triumph of business organization: there was a weekly paper to persuade you to learn Pitman: there were cheap textbooks and exercise books and transcripts of speeches for you to copy, and schools where ex- perienced teachers coached you up to the necessary proficiency. Sweet could not organize his market in that fashion. He might as well have been the Sybil who tore up the leaves of prophecy that nobody would attend to. The four and six- Act I - 08 Act II - 42 Act III - 118 Act IV - 167 Act V - 191 |