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PinkMonkey.com Digital Library - PinkMonkey.com-Digital Library-Portrait of the Artist as a Young Man by James Joyce

the first benches had been driven back so as to leave the dais of the altar and the space before it free. Against the walls stood companies of barbells and Indian clubs; the dumbbells were piled in one corner: and in the midst of countless hillocks of gymnasium shoes and sweaters and singlets in untidy brown parcels there stood the stout leatherjacketed vaulting horse waiting its turn to be carried up on the stage. A large bronze shield, tipped with silver, leaned against the panel of the altar also waiting its turn to be carried up on the stage and set in the middle of the winning team at the end of the gymnastic display.

Stephen, though in deference to his reputation for essaywriting he had been elected secretary to the gymnasium, had had no part in the first section of the programme but in the play which formed the second section he had the chief part, that of a farcical pedagogue. He had been cast for it on account of his stature and grave manners for he was now at the end of his second year at Belvedere and in number two.

A score of the younger boys in white knickers and singlets came pattering down from the stage, through the vestry and into the chapel. The vestry and chapel were peopled with eager masters and boys. The plump bald sergeantmajor was testing with his foot the springboard of the vaulting horse. The lean young man in a long overcoat, who was to give a special display of intricate club swinging, stood near watching with interest, his silvercoated clubs peeping out of his deep sidepockets. The hollow rattle of the wooden dumbbells was heard as another team made ready to go up on the stage: and in another moment the excited prefect was hustling the boys through the vestry like a flock of geese, flapping the wings of his soutane nervously and crying to the laggards to make haste. A little troop of Neapolitan peasants were practising their steps at the end of the chapel, some circling their arms above their heads, some swaying their baskets of paper violets and curtseying. In a dark corner of the chapel at the gospel side of the altar a stout old lady knelt amid her copious black skirts. When she stood up a pink-dressed figure, wearing a curly golden wig and an oldfashioned straw sunbonnet, with black pencilled eyebrows and cheeks delicately rouged and powdered, was discovered. A low murmur of curiosity ran round the chapel at the discovery of this girlish figure. One of the prefects, smiling and nodding his head, approached the dark corner and, having bowed to the stout old lady, said pleasantly:

-Is this a beautiful young lady or a doll that you have here, Mrs Tallon?

Then, bending down to peer at the smiling painted face under the leaf of the bonnet, he exclaimed:

-No! Upon my word I believe it’s little Bertie Tallon after all!

Stephen at his post by the window heard the old lady and the priest laugh together and heard the boys’ murmur of admiration behind him as they passed forward to see the little boy who had to dance the sunbonnet dance by himself. A movement of impatience escaped him. He let the edge of the blind fall and, stepping down from the bench on which he had been standing, walked out of the chapel.

He passed out of the schoolhouse and halted under the shed that flanked the garden. From the theatre opposite came the muffled noise of the audience and sudden brazen clashes of the soldiers’ band. The light spread upwards from the glass roof making the


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PinkMonkey.com Digital Library - PinkMonkey.com-Digital Library-Portrait of the Artist as a Young Man by James Joyce



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