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| Table of Contents | Message Board | Printable Version | MonkeyNotes ADVISORY BOARD We wish to thank the following educators who helped us focus our Book Notes series to meet student needs and critiqued our manuscripts to provide quality materials. Sandra Dunn, English Teacher,Hempstead High School, Hempstead, New York Lawrence J. Epstein, Associate Professor of English,Suffolk County Community College, Selden, New York Leonard Gardner, Lecturer, English Department, State University of New York at Stony Brook Beverly A. Haley, Member, Advisory Committee,National Council of Teachers of English Student Guide Series, Fort Morgan, Colorado Elaine C. Johnson, English Teacher,Tamalpais Union High School District,Mill Valley, California Marvin J. LaHood, Professor of English,State University of New York College at Buffalo Robert Lecker, Associate Professor of English,McGill University, Montreal, Quebec, Canada David E. Manly, Professor of Educational Studies,State University of New York College at Geneseo Bruce Miller, Associate Professor of Education,State University of New York
at Buffalo Frank O'Hare, Professor of English and Director of Writing,Ohio State University, Columbus, Ohio Faith Z. Schullstrom, Member of Executive Committee,National Council of Teachers of English Director of Curriculum and Instruction,Guilderland Central School District, New York Mattie C. Williams, Director, Bureau of Language Arts ,Chicago Public Schools, Chicago, Illinois BIBLIOGRAPHY FURTHER READING CRITICAL WORKS Durham, Frank. "Tennessee Williams, Theater Poet in Prose." In Parker, Twentieth Century Interpretations of The Glass Menagerie, pp. 121-34. A discussion of the play as a type of poem. Jackson, Esther M. The Broken World of Tennessee Williams. Madison: University of Wisconsin Press, 1965. A study of Williams' use of nonrealism. Miller, Jordan Y., editor. Twentieth Century Interpretations of A Streetcar Named Desire. Englewood Cliffs: Prentice-Hall, 1971. A rich selection of essays about Streetcar as a movie, as a Broadway production, and as a work of dramatic art. Nelson, Benjamin. "The Play is Memory." In Tennessee Williams, the Man and his Work. New York: Ivan Obolensky, Inc., 1961, pp. 98-112. Insightful discussion of characters and themes in The Glass Menagerie. Parker, R. B., editor. Twentieth Century Interpretations of The Glass Menagerie. Englewood Cliffs: Prentice-Hall, 1983. A collection of writings about the play, including reviews of the original production. Rader, Dotson. Tennessee: Cry of the Heart. Garden City: Doubleday, 1985. A personal memoir of Williams. Spoto, Donald. The Kindness of Strangers. Boston: Little, Brown, 1985. Deals with Williams' life and art. Stanton, Stephen, S., editor. Tennessee Williams: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1977. Several essays about Williams, the man, and his plays. One interpretive essay specifically on The Glass Menagerie. Stein, Roger B. "The Glass Menagerie Revisited: Catastrophe without Violence." In Stanton, Stephen S., editor, Tennessee Williams: A Collection of Critical Essays, pp. 36-44. Fascinating study of the Christian symbolism in the play. Tharpe, Jac. Tennessee Williams: Thirteen Essays. Jackson: University Press of Mississippi, 1980. Critical essays on Williams' work. Williams, Tennessee. Memoirs. New York: Doubleday and Co., 1975. To know the man you must read this autobiography. AUTHOR'S MAJOR WORKS 1940 Battle of Angels 1944 The Glass Menagerie 1947 A Streetcar Named Desire 1948 Summer and Smoke 1950 The Roman Spring of Mrs. Stone 1951 The Rose Tattoo 1953 Camino Real 1955 Cat on a Hot Tin Roof 1957 Orpheus Descending 1959 Suddenly Last Summer (screenplay) 1959 Sweet Bird of Youth 1960 The Fugitive Kind (screenplay) 1960 Period of Adjustment 1961 The Night of the Iguana 1963 The Milk Train Doesn't Stop Here Anymore 1973 Small Craft Warnings Table of Contents | Message Board | Printable Version | MonkeyNotes |
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