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Table of Contents | Printable Version PLOT (Structure) The plot is spread over the protagonist, K.'s arrest and his attempts to extricate himself from an aging, totalitarian bureaucratic system. This is at the conscious surface level. Kafka is also the social chronicler very much like Dickens, commenting in monotonous detail on the Czech legal system - which is symbolic of any organization that is governmental even in democratic countries. The story is also crowded with Dickensonian characters, each with his own identity, but who fall into the system whether they like it or not. A hierarchy of characters, starting from the judge and leading to an isolated painter, is neatly arranged. At a deeper level, the story deals with the Christian idea of the fallen man and his deep sense of guilt. The nature of the guilt is never told. There is never a trial held in accordance with the dispensation of justice. In the process, Huld, the invalid lawyer assumes the role of the gigantic figure of divinity. But he also has his weakness like "Everyman", a beautiful blending of myth and reality. Without knowing what his guilt is, K. responds as a guilty man. He refuses to submit to the divine will. His end is brought about by the break down of his resistance.
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