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Sofia is another strong female character. During the novel, she suffers greatly for her independent spirit and impudence. As husband and wife, she and Harpo do battle for years, for she refuses to follow the expectations of the patriarchal lifestyle. She refuses to be tied only to housework and child rearing and works in the fields, like a man; she also expects Harpo to help with the domestic chores. When Harpo tries to criticize or punish her independent ways, she regularly gives him a beating, since she is larger and stronger than he. In the ends, she finally leaves him, tired of his abuse.
Sofia is then abused by the white power structure. When the mayor's wife suggests that she come to work for her as a maid, Sofia tells her "hell, no." For her impudent manner, the mayor slaps her. In turn, Sofia socks the mayor, knocking him down. She is then beaten, arrested, and put in prison, where she is constantly abused by the white staff. During her years of confinement, both in prison and in the home of the mayor, Sofia survives on hatred, even thinking of murder. In spite of her anger, she is a good nanny to Miz Millie's children, and Eleanor Jane develops a devotion to her. In the end, Sofia is able to love her in return, especially when Eleanor Jane agrees to help care for Henrietta.
After she is freed from her servitude at the mayor's home, Sofia quickly returns to her old self, proving that the white power system does not have to break the spirit of Blacks. In many ways she is a reflection of Celie, showing unbelievable endurance in the face of great hardships. It is not surprising that the two women form a strong bond of friendship that last throughout the novel.
Albert (referred to as Mr. ____ for the first part of the novel)
Walker's depiction of Albert as brutish, sexually aggressive, unloving, foolish, bumbling, and lazy has been harshly criticized by the Black community, for African-American men have always received similar, often distorted representation. She has also been criticized for portraying the domestic abuse Albert inflicted on Celie. Walker, however, wanted to communicate that gender oppression compounds and complicates racist oppression. Albert became one of her key tools to show this theme.
Walker develops Albert as a multi-faceted character. He grew up under the oppressive thumb of a strict and demanding father, who stood in the way of Albert pursuing Shug, the true love of his life. Too weak to stand up to his father, Shug leaves him; throughout the rest of his life, he regrets that he did not marry Shug.
A victim himself of the cycle of oppression, when Albert married and assumed the role of patriarch, he acted out all the lessons he had been taught. He punished the women in his life and neglected his children. By the time he marries Celie, Albert is truly a hateful, brutish, and lazy man. He expects her to do all the work around the house, care for his rude children, and gratify his sexual needs upon demand; to make himself feel more important and in control, he regularly beats her. Celie puts up with his cruelty for years, but Shug finally convinces her to leave him. The final straw is when she finds out that Albert, through the years, has hidden all of Nettie's letters from her.
Albert cannot believe that Celie is actually leaving him; with true naiveté, he cannot understand why she has not been happy, for the only system he has ever known is the patriarchal one that he follows. Forced to live by himself without a woman to serve him, he softens, learning to care for his children, work for a living, do his own housework, love other people, and appreciate the little things in life, as Shug has taught him (like she taught Celie). When Celie returns to live in Georgia, he comes close to apologizing to her, saying that he did not know how to appreciate her when they were married. He tries to befriend her, helping her in her work and designing shirts to go with the pants that she makes and sells. He still, however, cannot understand Celie's relationship with Shug. His patriarchal mindset does not allow him to see how a woman could prefer another woman over a man. Still, by the end of the novel, Albert is a gentle character whom Celie can forgive.
Nettie is saved by Celie, and she knows it from an early age. Since she is allowed to go to school, while her sister stays home and works, Nettie patiently and faithfully tries to teach Celie. When Celie puts up with incest in order to protect her sister, Nettie becomes forever grateful. Even though she escapes oppression and is allowed to explore the world, Nettie never forgets who facilitated her escape.
In Africa, Nettie faithfully writes to Celie, telling her about Olivia and Adam and about her experiences in the native land. Even though she never hears from Celie (since Celie's letters are returned undelivered), she is not discouraged and thinks someday she may hear from her sister if she continues to write to her. Nettie is important to the novel, for the news she gives Celie about Olivia and Adam help keep the children alive in Celie's heart. Her explanations of African life and philosophies also aid in Celie's growth. Nettie's return at the end of the novel brings the plot of the story full cycle, allowing for a totally happy ending.