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Chaucer describes an ideal Knight, a "verray parfit, gentil knyght", who conscientiously follows all the social, moral, chivalric, and religious codes of conduct. Chaucer does not have any particular individual in mind but casts the Knight as an idealistic representative of his profession. Although the institution of chivalry had become decadent in the fourteenth century Chaucer withholds his criticism and instead endows the Knight with all the gentlemanly qualities that are in keeping with his character. Thus the Knight possesses all the traditional chivalric virtues of politeness in speech, consideration for others, righteousness, generosity, helpfulness, and loyalty. He also loves truth, honor, freedom, and courtesy. Moreover he is not only brave and worthy but also wise. Although the Knight rides on a good horse, he isn’t ostentatiously dressed himself. He has come straight from his expedition and is still wearing his armor. His simple coarse sleeveless tunic made out of fustian bears the stains of his armor. This minute detail serves to impart a certain degree of realism to the portrait and also serves to underline the Knight’s religious devotion and his eagerness to go on the pilgrimage. The Knight’s ascetic clothing thus stands to his credit and highlights his integrity and honor. Chaucer also describes the Knight’s participation in several battles and campaigns. Scholars have pointed out that the majority of the Knight’s campaigns are religious in nature and are by and large crusades against the heathens.
The young Squire with his fashionably curled locks and stylish short gown is the embodiment of the romantic chivalric tradition and provides a stark contrast to the religious chivalric tradition represented by his father, the Knight. His short coat with long wide sleeves is exquisitely embroidered with red and white flowers. This provides a stark contrast to the Knight’s ascetic clothing. In the medieval chivalric hierarchy a Squire ranked immediately below a Knight. A Squire had to serve as an attendant to several Knights and their ladies before he himself received Knighthood. Chaucer’s Squire possesses all the socially desirable accomplishments that were expected of young men in his position. He is an excellent horseman and also knows how to draw. Moreover he is fond of singing, dancing and composing lyrics. He also likes to joust. A joust was a trial of strength and expertise in which one individual fought another. This sport was strictly restricted to the nobility. Chaucer states that the Squire had been on cavalry expeditions to Flanders, Artois, and Picardy with the hope of winning his lady’s favor. The desire to win a lady’s favor is one of the main motivations for chivalric action in the tradition of courtly love. Thus unlike his father the Squire, he is not motivated by religious feelings but by love. The Squire is strong and extremely agile. Further he is courteous and considerate towards others. He willingly serves his lords and carves before his father at the table. Carving was considered to be a very strenuous task. Chaucer is indulgent of the Squire’s romantic fervor and carefree attitude. His singing and playing upon the flute all day long are perfectly in accordance with his cavalier sensibility. On the whole one is convinced that the Squire would make a worthy Knight like his father.
A Yeoman was an attendant to an official and ranked above a ‘garson’ or groom in the medieval hierarchy. The modern meaning of a small landowner came about much later. Chaucer makes it clear that the Yeoman was also a ‘forester’ i.e. thoroughly proficient in hunting and woodcraft. He is a robust individual with closely cropped hair and tanned complexion that bear testimony to a hectic outdoor life. His apparel of a green hunting coat and hood is brightened by a sheaf of sharp peacock arrows that he carries carefully under his belt. He carries all the equipment necessary for his occupation as a Yeoman and a hunter: a mighty bow, a bracer, sword, buckler, a well - sharpened dagger and a hunting horn. A St. Christopher medal that dangles on his breast provides the finishing touch to his physical appearance. Chaucer indicates that the Yeoman is proficient in his work by his statement that he carried his equipment in true Yeomanly fashion. There are no ironic notes in the Yeoman’s portrait. Rather the gay and colorful Yeoman wins a positive response of unrestrained appreciation from Chaucer.